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Addington Furniture

7773 W Torngat Ct
Tucson, AZ, 85743
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Conservation • Restoration • Recreation

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Moxon Vise Class

June 29, 2015 Luke Addington

A few photos of students making their Moxon Vises in the class I taught Saturday-Sunday, June 27 & 28 2015. These were made with 8/4 cherry from Amish sawyers in Ohio, milled down to 1 3/4", with Benchcrafted hardware. Rear chops are 40" long and front chops are 36" long. We made two sizes, 5 3/4" tall and 6 3/4" tall. Students were able to pick which height worked best for them. Everyone got their vises finished and their stopped chamfer and Lamb's Tongue carved! Great class.

Here the students (from left to right: Chuck, Rob, Bill) are working as a team on the drill press to bore out the holes that will accept the acme screws. After that they chopped out square mortises to house the nut that receives the screws.

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After the mechanical aspects of the vises were taken care of the students moved on to the stopped chamfer and Lamb's Tongue. Here they have laid out lines that will be sawn, then chopped, and cleaned up with a spokeshave & scraper to create the stopped chamfer.

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Now the students saw out the bulk of the waste for the Lamb's Tongue. This is then refined with chisels, files, rifflers, scrapers, and very fine sandpaper.

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I grabbed a couple photos of Rob with his vise.

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Chuck had one more face to plane on his vise (below) and then he was done. Everyone decided to add suede to the jaws at home. Bill had to take off before I was able to get a photo of his vise.

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In Tools, Teaching Tags Joinery, Moxon vise
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Peinture À Bois

April 23, 2015 Luke Addington

Peinture à bois or "painting in wood" was one of the favorite methods of producing marquetry during the second half of the 17th century. It involves composing a complex packet of veneers, sawing a design with a chevalet, jigsaw, fretsaw,  or frame saw (not the frame saw Americans are used to seeing, this is a big wooden "machine"), shading the pieces with hot sand, and then assembling the pieces face down with hot hide glue on a stretched piece of kraft paper. 

These photos are from a day I spent at the shop of my friend Paul Miller. He has created this beautiful box as a tribute to his mentors W. Patrick Edwards & Patrice Lejeune of The American School of French Marquetry. The method used to execute the top is peinture à bois.  The finished project can be seen here. I took the following photos while the box was still in progress. 

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Here Paul is applying a solution to the walnut in order to ebonize it. This process turns the walnut black remarkably fast.

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Félicitations on a wonderful, beautifully executed work of art Paul. 

In Marquetry, French Polish Tags Marquetry
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Louis XIV Marquetry

April 19, 2015 Luke Addington

I've been practicing drawing marquetry panels lately. This one is a side panel from the Louis XIV Coffer on display at the Getty Museum -  a piece I hope to make within the next two years. I read that it's important to draw the piece so you can begin to familiarize yourself with it. At this point shading would take place, but I'm not quite there yet. The flowing acanthus leaves and beautiful flowers often with birds perched in the midst typical of Louis XIV marquetry are my favorite motifs. 

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In Marquetry Tags Marquetry, Louis XIV
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Veneer Hammers & French Polish - Part II

April 8, 2015 Luke Addington
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A few finished photos of the veneer hammer. I'm pretty happy with the French Polish. I tested it out this evening and it works beautifully. Looking forward to using this tool for many years to come. My good friend Joe shot these photos for me. 

In French Polish, Tools Tags Veneer Hammer, French Polish
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